1 China ancient architectural art features

1.1 China ancient architectural style: classical aestheticians buildings included in thecategory of the first art, architecture and painting, sculpture, collectively known as the three major arts. Building user to acquire the sense of beauty in the practical process,enjoy. Wooden structure system China ancient architecture, its complex

And the subtle is the construction of masonry structures are incomparable, and this also determines its unique in the history of thousands of years of formal beauty.

Tiantan in Beijing as an example of the hall of prayer for good harvests, form the whole building adopts a circular, white marble circular platform layers and layers ofcontraction in the blue color glazed tile three cuanjian Ding relative echo, the goldenball with the day phase, embodies the symbol "nature round place" the hall of prayer for good harvests lofty solemn

Character. [1]

The decorative effect Chinese ancient architecture in the strong components such asarch, cornices brackets desirable, the flow lines, unique and exquisite form themodern jewelry more Chinese characteristics. In the brackets for example, component as Chinese ancient architecture occupies a special position, brackets for roof andpillar

Sub transition part of the connection, the structure and function of the roof loaddownward transfer function. [2] but even purely architectural structures, but also full ofrich Chinese connotation of traditional culture, in the construction of the entire facadecomposition brackets play structure and artistic image and other aspects of theimportant

Use.

1.2 Chinese ancient architectural decoration:

Decoration in the timber frame structure system China ancient architecture, plays anindispensable role. Decoration of ancient Chinese forged Chinese ancient buildingdistinctive appearance: hip, Xie Shan, hanging hill, hard hill and Dan Yan, Zhong Yanand other forms of roof; roof

Chi kiss, Baoding, animals and other strange individual image; to the spirit and style and ornamentation for tile and stone door and window panes; the myriads of changes the pattern style; columns, Liang Fang on the dragon and Phoenix, opera story, animal, flower and so on;

1.3 Chinese ancient architecture color:

The use of color is one of the characteristics of the most prominent Chinese ancient architectural decoration. Chinese ancient architecture in the use of bright colors, bold and creative, some bright colors, strong contrast, some, color harmony, simple and elegant. The architect and the choice of application according to the different needsand customs, reflect

A strong national spirit. The Imperial Palace in Beijing is the most typical example. The use of comparative and intense, bright color: red walls and yellow tiles set off the blue sky, bright foil profile and magnificent building. Plus eaves of the golden color, theancient architecture appears particularly beautiful. [3]

1.4 Chinese ancient building materials:

Chinese ancient building with wood frame structure, the biggest characteristic is tocivil wood timber. Due to the civil wood texture, tend to the "tender", and less stiff,gentle soft Li, and less masculine of gas, give a person with warm, cordial andaesthetic feeling, it caught Chinese sentimental,

The pursuit of artistic conception, seek peace, heavy feelings etc.. This point indwelling on the obvious. Compared with the classical stone buildings in Europe that cold, stiff feeling, even Chinese ancient palace, also be the eastern unique beauty"rustic".

Process of 1.5 China ancient architecture:

Chinese ancient building with wood frame structure, node between the building components with tenon and mortise to wear, the combination of many timber wood,flexible and diverse forms, which constitute the framework is flexible, elastic. Chinaancient architectural sculpture technique with high relief, relief,

Yinxian carved, engraved, less concave plane incised etc..

Reference and application of 2 in modern jewelry design

Reference and application of 2.1 modeling:

China ancient architectural form in jewelry design is worth learning from. Tiantantemple three cuanjian Ding is the whole building in the form of unit repeat and appearance consistent, it often makes people feel neat, stable, solemn beauty. Threecuanjian Ding and white marble circular platform layer shrinkage

It is evolved in the form of unit based on circular, overcome the monotonous, boring. A combined form as a visual element to have rhythm, is a kind of advanced integrated beauty.

Member Chinese ancient architecture also can be used in jewelry design. A group ofwork of the author as the prototype in brackets, the whole in accordance with the axis symmetrical combination, through a physical balance, creating a solemn, elegantfeeling. Appearance from layers of lines, from small to large, You Qian

Deep into the approximate change, on balance, about a change of rhythm. And with other parts of bracelets, hairpins, collar formed a dynamic, unified and harmoniousvisual effect in silence. (Figure 1)

Law of modern jewelry forms of beauty are homogeneous and gradually, symmetry and balance, contrast and harmony, rhythm and cadence, rhythm and cadence,diversity and unity. Chinese ancient architecture also has the beautiful rule of form a complete set of mature and mature system of art, these rules of form beauty in

Ancient Chinese buildings are to be embodied accordingly.

Reference and application of 2.2 color, decoration:

Color is the invisible language, different colors, to the person’s psychology physiologywill produce different effect, different color style will reflect the designer’s culture,personality and hobbies and the passions, representative of different national colorsconvey the cultural psychology and aesthetic feeling

Interest. How to use color, color [4] jewelry design, harmonious beauty make jewelryshow a color is particularly important. Select the base color can add the design themeof emotional color, the reasonable collocation can make jewelry talent showing itself,conform to no conventional pattern of local color. As taking Jewelry Making

Material for all kinds of different materials, colorful and varied colors provide a wide range of expression space for the designer. The architectural decoration in addition tohousing body has artistic appearance, more let architectural art with the ideological connotation and nationality. The ancient architecture color, decorative arts,

To clearly convey the classical charm, highlight the strong historical massiness,jewelry design for China style is the creative source of infinite.

Reference and application of 2.3 materials:

The modern jewelry design in material usually choose traditional noble metal or all kinds of gem, the jewelry has the unique beauty of the noble beauty and material.However, with the changes of social mainstream consciousness and modern design concept, more and more material is applied to the design of jewelry

, stainless steel, wood, iron, plastic and other materials not only easy to obtain, andclose to the people, cannot reflect the precious jewelry, expression is helpful to new ideas. Different material its texture has the very big difference, metal material toupright, rational, a solemn sense; jade material to Wen Run

, dignified, elegant feeling; pearl gives soft, subtle and somewhat melancholy; civilmaterial also can give a person the subtle, gentle, warm feeling. In fact, any materialcan be made into jewelry, Chinese ancient buildings of different materials, light color,soft, hard and other natural traits, light

Jewelry design, more aesthetic tendency to cater to the Chinese pursuing harmony,emotional, add luster for jewelry. [5]

Reference and application of 2.4 process:

Construction technology Chinese ancient architecture can be applied directly to themodern jewelry manufacturing process. For example, the tenon and mortise,combination, occlusion etc., the jewelry into detachable, splicing flexible "member", but is not limited to the blunt welding, butt. The ancient architecture of the carving techniques

Used in modern jewelry design, not only increased the colour and atmosphere ofjewelry in the form, make it more classical flavor. And casting process of retro style will make jewelry more a collection value.

3 by the modern jewelry design concept Chinese ancient architectural design

China art and aesthetics especially focuses on refining the form of art, heavy meaningrather than form. Hill, water, only a few pens, white is the invisible significance. CreateChinese ancient architecture also focuses on artistic conception, from the overall layout of buildings, to every single building body

Quantity and the other, from the base to the function and decoration roofcomponents, all reflect the Chinese traditional ideology, the ingenious combination of technology and art of traditional architecture. [6] can be used for jewelry design,architectural principles and elements of classical architecture design of three-dimensional modeling. An example

As was once popular in architectural art in the "less is more" simple first principles areused in modern jewelry design, with its smooth lines, the overall structure and bring people to the extraordinary visual enjoyment. The garden of the king principle to thedynamic jewelry, make jewelry not only dynamic Bureau

Limited to the form of ingenuity, but also more China aesthetics of artistic conceptionin the connotation of.

Chinese aesthetic taste is also different from the westerners, Jane shaped Chinesepreferences and comprehensive, like a hazy poem; while westerners prefer complexand strong, like a jazz. Design China ancient architecture in a certain symbolism, toplay the romantic specific, thereby

The design art China ancient architectural view. In the jewelry show is also so,Chinese jewelry decoration, good at abstract changes showed Qiyun and smartoriental. It is because of Chinese art is the "Rites", "music" tradition, is built to directly shape, Tao Ye

Human emotion is the basis and the target, not to reproduce the picture of the worldto arouse people’s awareness and priming emotion as the base and target, soChinese aesthetic taste more about God, and floating outside, to a certain extent isagainst all kinds of naturalism. With the sense of national pride

L, the aesthetic confidence is bound to raise the status of Chinese traditional culturein art design.

In short, jewelry and building and other forms of art has a characteristic and the performance of their own,